Tuesday, May 26, 2009

Oh Mighty Chinatown Bus: Taketh me.

There's a lot going on now.  

I'm in Philly working on a new ensemble show called "Edge of the World" at the Asian Arts Initiative that will premiere at the end of this week.   We wrote it in the last three days and it looks pretty awesome considering.  I can't give away too much, but I will say that I may be peeing onstage into an adult diaper as my way of exploring the Asian American Experience.  


As soon as I publish this blog, I will take the Chinatown bus to NYC to do a short storytelling set in NJ. Pray for my safe return.

I left for Philly only half packed for my move to Silverlake.   This moving process from one side of LA to another has been really emotional.  This stress is mostly logistical.  Not having a car to quickly transport things over to the new place means that trash just kind of piles up into the middle of the apartment and doesn't really quite yet move out.  And being home all day means I have to sit among trash and it's driving me nuts fast.

For the forced housecleaning alone, I may have been long overdue for this move.   I'm so glad that I am not spending the rest of my life in that apartment in West LA (a suggestion my mother made to me once!).  I'm having to face years of memories and memorabilia from times that I am not sure or not if I want to remember.  Throwing stuff out is a process of editing memories and refining my identity. I'm feeling freer.  And I am excited about designing my new life. Which is totally what I need in this economy and as I strive to do more exciting things with my life.

It's even odder when friends come by and pick parts of my life they want to take on for theirs. I'm actually surprised how many friends want to come by and take a piece of old Kristina.

I gave away my bed to a guy on Craigslist named Hardy. He was very likely a young Republican. And after I agreed to give him my bed, a good handful of my friends asked to take my bed from me because they really needed it for shows they were doing or just to sleep in (not to preserve any of my nostalgia, mind you).  As I saw my bed strapped to the top of Hardy's Toyota 4Runner, I realized, yes indeed, this is an end of an era.  (Insert your wisecrack here).

Under the bed was some serious archaeology.  I haven't moved that bed since 2001.  There were things I hadn't seen for years, relics of friendships gone by, obsessive phases of my life.   

I'm no longer in my post college life, but post post college life.  

And so how does such a history minded person like me decide what's worth archiving and what to bring into the new life? Because a hack historian like me is obsessed with accuracy.  

A friend of mine just told me how before her cross country move she destroyed her old wedding photos (she's divorced) and threw her wedding rings into the river.  

Performance Artist that I am, I can't quite throw out old pictures of boyfriends without an audience watching and the grant check already deposited.

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Tuesday, May 19, 2009

Downsizing

I'm moving.

No, not to New York. Still too chicken to do that officially. Though maybe that's next. Not San Francisco either. Though I am there quite a bit.

I'm officially shifting my base of operations to SILVERLAKE! Land of skinny boys with girly haircuts and too tight jeans.

Why am I moving away from the beach? Why would I leave my 2 bedroom apartment which is locked in at such low low rent? Many reasons. One main one is that its getting very depressing to live in the same apartment that I've been in since I finished college. And believe it or not, saving money, even in this economy, is not worth being this depressed.

I'm moving to a house with a big deck and a cactus garden in front. A full kitchen, a washer/dryer, and a dishwasher. It's on a tree lined street walking distance from Spaceland. And as soon as I tweeted the news, I come to learn that that's where all my friends have been hiding.

I've been doing what I haven't wanted to do since I moved in here... Move stuff out. Moving is such an experience filled with regret. Looking at books (from college even!) that I have yet to read. Postcards that I never sent. Notes from classes on how to audition for a career that kind of turned a different way.

And finally going through the tubs filled with old paper work.

I've found among other gems....

* Old lecture notes peppered with poems to a French boy (huh?! I have no memory of having a crush on a French boy.)
* Yards and Yards of fabric that I purchased to sew up a giant vagina for my very first show.
* A job application for Hooters that I started to fill out and never turned in. (I listed my roommate as a reference.)
* A folder marked "Job Opportunities." Inside were corporate brochures for Merrill Lynch, E! Entertainment, etc I must have collected from a job fair at UCLA. And for some reason, there was a flyer for "Amateur Night" at Showgirls also tucked in there. I wonder if I slipped that into my files as a joke to myself to discover many years later because even I couldn't believe I was that funny to put that in the same file. Ironically, I've not worked for any of those companies, nor ever tried out the strip club thing.
* A letter I wrote to Leilani when I was an undergrad for the internship she was offering at "TeAda Productions." (Yes, the company that 10 years later produced a run of "Wong Flew Over the Cuckoo's Nest" in Los Angeles)

I junked a lot of stuff so far and am planning a big yard sale June 13 where I will pretty much push everything that is non-essential out to the curb and let the hoarders take it on.

I'm ready to let it all go. I'm making room for a great new bright life.

Incidentally, if you are in the market for a queen bed with a canopy frame, 21 inch TV with digital converter, YARN, slide carousel, women's clothes, etc, please let me know. I've got what you want.

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Tuesday, May 12, 2009

Idea for a new t-shirt: "I Survived API Heritage Month"



My set gets filthier by the city.


Congratulate me. I have survived yet another Asian Pacific Islander Nervous Breakdown Month. (Technically, it is in May, but schools get out in May, so it if often pushed to April). Yes! The month in which my heritage is "celebrated" with Kristina Wong's arrival to various campuses also coincides with when schools finally get it together to spend what funds they procrastinated on spending earlier in the year.

It's been slow for all my artist friends, so I was very very grateful for April this year. And yet, I wasn't actually being programmed as part of API Heritage Month, I was just being programmed.

I returned to Los Angeles last week, but I have yet to unpack. My apartment looks ransacked and I have yet to get back on schedule. Yep, welcome back to your normal life of chaos Kristina.

Three cities in three and a half weeks. Chicago, New York City, and Minneapolis.

I learned a lot during my travels this month. These lessons in short:

1. I will never fly to Minneapolis from New York City on ATA again (they stop in Atlanta which turns a two hour flight into a six hour flight) and they have all of two inches between rows. When I finally got to Minneapolis, I passed out in the hotel, woke up not knowing what time it was, my phone rang, and I started crying like a startled baby because I was so disoriented.

2. I am happiest when I am working (and being renumerated), making art, and helping others make their art. I get sad when these three things are not in place in my life. So all I want in my life is a constant influx of these three things, and I will be happy.

3. I still got it. And I always will got it. And I can never forget that I got it.

Chicago was the first city of this April whoring stint. I woke up the second night that I arrived and didn't know where I was.

It happens so often from all the travel that I don't panic anymore. This time when it happened, I pulled the sheets closer to me as my brain calculated:

"Ok, Kristina. You're not at home. Are you in Los Angeles? No. You aren't in Los Angeles because this isn't your apartment. And there's nobody next to you, is there? Nope, so you didn't get lucky last night which definitely means you aren't in Los Angeles. Ok, you are definitely in some city in America. Well, this isn't a hotel room. It's too small. It's a dorm. Oh, that's right, you are in Chicago. You are in Chicago at the University of Chicago where you are an artist-in-residence!"


The University of Chicago didn't have any theater spaces available on campus to present the show. The only option was the non-denominational Rockerfeller Chapel on campus. (But really, can a cathedral architected in the shape of a cross actually be considered "non-denominational"?). So yes, I did the show in a church that was completely unedited. Talk about a one-way ticket to hell.

It was definitely not the easiest space to work in. It was a nightmare focusing lights during the day because we couldn't get the sun to turn off long enough to see where our lights were focused. We had to run all the sound cues off a dying boombox with a lavelier propped next to it.

After I did a two minute orgasm in the first 20 minutes of the show, one guy walked out. I can only imagine he headed straight to the confessional to tell of what sin he witnessed.

Still, I would say it went well enough. I was surprised journalist Paula Kamen who was a college friend of Iris Chang showed up on her own to my show. She wrote a book looking at Iris' death, and gave me a signed copy. I'd read about her book and totally knew who she was once she introduced herself.

I spent the rest of my trip reading the book and finally finished it when I came back to Los Angeles. This trip was rough at points, but when I read the first chapter and was brought back to the details of Iris' life and tragic death, I cried and oddly, felt grounded again. It's easy to forget that the reason people in cities all over the country come to my show. Because the topic intrigues them, and because beyond all of my theatrics, this show came from a real place.

On the Saturday morning, hours after my show, I woke up at 3:30am to catch a 6am flight to New York City (Thank you says my body). When I arrived, I had a few hours to prepare for hosting the showcase at the Asian American Student Conference at NYU. I was at my friend Jessica's place in Brooklyn peeling through what odds and ends of costumes I had brought. Because of these new airline baggage limits, I could only bring odds and ends of various costumes and actually didn't have complete concepts for characters down.

When I got to NYU, the students asked me to host their quiz bowl. That had to be the strangest, funniest, off-the-cuff performance in the world. It was a five teams of three kids each using those press-on lights from the dollar store as their low tech game show buzzers, and I was calling out questions like it was World Wide Wrestling.

Imagine me bellowing into a mic while standing on a chair: "And the correct answer for 'who was the author or Orientalism'... Edward SAID!!!!!! You answered WRRRRRROOOOONNNNGGGG!!!!!"

The kids got so into it. Even from the audience they were jumping up and down in their seats whispering excitedly what the right answers were to themselves. And I really credit my own earnest overdramatic hosting of the event for how well it all went over.



Because I didn't actually pack full costumes to the show, I had to improvise with what I brought. So I created a new character named "Kristina Kamikaze, Tila Tequila's taller and also bisexual sister." I wore my pajamas, used safety pins to give it shape, and shoved a tote bag in my butt. It was fun and a hit.

Then 48 hours later, I was off to Minneapolis to do a two and a half week residency at Pangea World Theater. Can I stress AGAIN how I will never fly ATA, or at least try to save a few bucks by doing the flight that stops in ATLANTA?!


Some of my favorite friends in Minneapolis include Nadine and her husband Michael. Nadine I met completely by accident. She sent me some books off of my Amazon wishlist, along with a nice note, and I gave her a call to thank her. As it turns out we were linked by arts groups and were only separated by a couple of degrees by other artists we knew.

When I was in Minneapolis last June at the Asian American Theater Conference, Nadine and Michael took me and my friend Sam to the Mall of America. They told us about their extensive collection of board games. They have thousands of board games including weird ones like the "Spiro T. Agnew American History Challenge Game." I never thought about the phenomenom of board games until I saw their extensive collection in their basement. Board games to point to our American obsessions of "winning" and sometimes reveal specific moments of history and even problematic conceptions of race. See below...


And here's another gem from their collection. No, you don't need to be Chinese to play Chop Suey. But it's ok if you are a douche wearing a child's cop hat.

One day when I become a middle aged married white couple living in a nice modest house in the Midwest, I too will find something to obsessively hoard. Oh wait, I am just looking at my yarn collection in the corner of my office. Well, I guess I have found something to hoard. I'm getting over yarn. It's been almost a year since I've really knit or crocheted anything. I guess it really was a biproduct of my obsessing over making my show. And the sad thing is that much of this collection, I have already hidden up at my parents' house in San Francisco.



They put us up in these hotel apartments in Downtown Minneapolis. And we finally checked out what they call the big shameful eyesore of Downtown-- a three story building called "Sex World" which boasts the title of largest sex store in the Midwest. Yes, there is a 12 foot gold penis you can ride. No, I won't post pictures of me with it.

The run in Minneapolis was wildly successful. Standing ovations every night. Post show discussions that were intelligent and sensitive. A few people who came up to me and told me that the show changed their life. It was so gratifying and humbling.

When people asked what my impressions were of Minneapolis, I could only say the same thing over and over again: "This town really has surprised me."

If you don't know, Minneapolis has some of the greatest per capita spending on the arts. So a lot of amazing artists flock there and the audiences are pretty cultured. I visited my friends who live in an artists loft. And surprisingly, it's actually artist friendly. It's not like in Los Angeles where "artist loft" really means, "Overpriced dump downtown that no artist can actually afford." My friends, Katie and Katie pay about $1100 total for this totally fancy artist loft with access to rehearsal space, kilns, community rooms and a rooftop garden.

Folks were trying to convince me to move out there for a couple years so I could apply for the Bush and McKnight grants. I told them I need to prepare myself for the Minnesota winter first.



When I went for a look at the Best Yarn Store in Minneapolis (above), I not only found a creepy Asian mannequin but the ladies there were like, "Oh hey! Are you the one doing that show this weekend?"

I was all flattered that they recognized me just from the postcard, and then realized that I had my name on a sticker on my dress.

The biggest highlight of my trip was looking out into the audience the last night and seeing one of the Asian students from the high school matinee (the high school audience was so saavy!) had returned to see the show again! And brought five friends with her, also Asian. That was definitely one of those moments where I saw myself in high school and realized that beyond all the bullshit of being "post meta post meta" in grant applications... that there was a reason I came to doing this work. That it has importance, that I am good at it, that people connect to what I'm doing and their lives are changed for the better because of it.

I'm feeling much better as an artist. I feel inspired. And it was nice to have a few weeks to not have to panic about the economy. Sure, when I came back home there was a rejection letter waiting for me for a 10K grant I've gotten the last four years (due to City budget cuts, not a lack of merit thank you very much). I was reminded this last tour that I'm really good at what I do. That people's lives can be made better by what I have made from nothing. And nobody can take that pride from me (but they can unfortunately, yank my money from me.)

I'm not a trust fund baby. I don't get handouts from my parents (I don't condemn those who do, more power to you!). I built this life from scratch on willpower and a dream. When those audiences filled with strangers who stood and applauded show after show, I knew and could accept finally, that I've been doing something so right to keep on dreaming.

I am proud of myself.

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Monday, May 11, 2009

Most Depressing Casting Notice I've ever seen.

Considering DivorceDivorce CourtReality TV$500YesNon-Union5/11/2009

Co-Star / Male or Female / All Ethnicities / 18 - 80
Looking for well spoken married people who are having marital problems to come on and get Judge Lynn Toler's council. Couples don't have to actually be filing for divorce, they just have to have a lot of good stories. Basically, you and your spouse come on the show and complain about one another. There is no real divorce offered, and the ruling has no legal barring. You will each receive a $500 appearance payment and the taping takes less than one hour.



They should just call this show, "Public Ass Raping TV."

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